Blankenship


Amid the smelly stretch of riptides and treacherous currents formed by the confluence of the upper East River and Long Island Sound stands a small low-lying island. Surmounted for most of its length by ancient prison buildings, it is an island hardly distinguishable, in its time-exhausted drabness, from those dozen or so other islands occupied by prisons and hospitals which give to the New York waterways such a bleak look of municipal necessity and--for some reason especially at twilight--that air of melancholy and erosion of the spirit. Yet something here compels a second glance. Something makes this island seem even excessively ugly, and a meaner and shabbier eyesore. Perhaps this is because of the island's situation; for a prison island it just seems to be in too nice a place. It commands a fine wide view of the blue Sound to the east and the white houses on the mainland nearby--houses which, though situated in the Bronx, are so neat and scrubbed and summery-looking as to make New York City seem as remote as Nantucket. One passing by the island might more logically envision a pretty park here, or groves of trees, or a harbor for sailboats, than this squalid acre of prison buildings. Yet perhaps it's the buildings themselves which make the place look more than ordinarily grim and depressing--so that the cleanly utilitarian, white marble structures on the other of the city's islands seem, by comparison, almost beguiling sanctuaries. These date back nearly a century, soot-encrusted brick piles of turrets and fake moats and parapets and Victorian towers. With these, and with their crenellated battlements and lofty embrasures and all the sham artifices of fortressed power, the buildings possess a calculated, ridiculous ugliness, as if for someone locked within the walls they must add to the injury of simple confinement the diurnal insulting reminder--in every nook and cranny unavoidable and symbolic--of his incarceration.

Time has imparted little dignity to the place. Rain and soot and wind have weathered it, but the stain which they have printed upon those grandiose walls seems to have left no patina of mellowness, and has only made them more dirty. It would be a sad place to be. In any case, whichever makes the island so oppressive--the prospect, so close, of the clean white houses, or the prison's appalling architecture--either, to anyone held captive there, would make the idea of freedom more precious. Precious enough, indeed, that a man might risk--given enough anguish, and enough fury--the mile of channel, and the extraordinary tides.

It so happened that during most of the last war the island and prison were in the possession of the United States Navy, which had leased the place from the city in order to lock up members of its personnel--sailors and marines and coast guardsmen--who had offended against the rules and regulations. These prisoners (although the population naturally fluctuated, it rarely went below two thousand men) were not major offenders. That is to say, they were not men who had murdered or committed treason or viciously assaulted an officer or committed any crime so dreadful that the total weight of naval wrath and justice had sunk mountainously about them and had swallowed them up for twenty years. But if these men had not been guilty of supreme crimes, they were not precisely minor offenders, either: they had thieved and raped and deserted and had been caught committing buggery and had been drunk or asleep, or both, while on duty and had been, almost to a man at one time or another, away without leave. They had all received courts-martial of some sort, and their average term of sentence was three and a...

"Short fiction from a Southern master of the sweeping, ambitiously themed, epic novel.. . . Taken as a whole, these fragments illuminate their author's obsessions and make the reader wish Styron had completed at least two more novels. Essential reading for the writer's fans; a revelatory footnote for others."